PUNJABI PHULKARI Women's Cotton Dupatta
Phulkari, which literally means 'work of flowers', has a history in Punjab's culture. This magnificent style of embroidery made from charka is made on Odinas, Shawls, Kurtis and Chunari. The main features of the flowering embroidery are the use of darning stitch on the wrong side of the cloth with colorful silk thread. Phulkari is an art as well as the composition is also known as flowering. Most scarf (huge poles) are embroidered with floral stitching. However, anything from the bag to the cushion cover can bring color spark with this unique craft. A face of fashion that finds its first mention in Punjabi folklore of romantic hero and Ranjha, Phulkari is a dream weaving for every Punjabi girl.
History
Flowers, flowers are one of the most colorful and vibrant embroideries of India. Punjab is prevalent in the state, it originated in the fifteenth century. Its history and origin differ from person to person due to evidence and lack of documentation. The origin of this beautiful art is known in the 15th century BC. Some people said that Phulkari was created in the famous love story of Heer-Ranjha, written by Waris Shah (1725-1790); Phulkari articles are also included in many costumes of Heer, it is quite clear that, for Phulkari a girl Popular Articles During Her Wedding Some have said that this craft went from Persian art, where there is a embroidery with 'Gulkari', which literally means 'Gul', which means flower and 'kari', which means to meet flowers -Julata was another theory that resembles Phulkari.
Another theory which states that the Jat tribe of Eastern Punjab, originally from the Central Asia, is a pioneer of this craft, it was the strongest principle that during these research I used to give these crafts to other Indian States also delivered. Such as Haryana, Rajasthan and Gujarat
Many of the ancient artifacts of Phulkari were rumored that Guru Nanak Dev Ji, sister of Sikh Guru, was embroiled somewhere during the fifteenth century. At the end of the 15th century, Guru Nanak, the founder of Sikhism, had written: "Thou art not a meaningful woman until you have brought your blouse". Women of the village still practice craft, bed and cushion covers and Stitching different types of clothes, but art probably reached its peak in the beginning of the 19th and early 20th centuries.
Design and Pattern
There is a broad pattern of design in Phulkari. There is expression in every possible representation of life and nature. Although it began with geometric patterns, flowers and leaves, today, the design has been extended to include birds, animals, human figures, objects of sun, moon, everyday objects and all the things found on earth. Then, there is a special baghall design called Hypophone (Sun-Shade), which is very popular in the state. However, no religious themes or views of court are not embroidered. Some of the most famous varieties of Fulcars and Bagh are listed below.
1. Chop: This diversity is usually presented to the bride by her grandmother during a ceremony before marriage. It has a straight, two-way line sewing and looks similar to reverse. However, only the border is embroidered and the center is left straight. It is usually red and worn as a veil.
2. Var-Da-Baagh: It is also done on a red cloth. It is covered with golden yellow embroidery, with small people within the range.
3. Darshan door: It is usually used for the presentation in the temples or to decorate the walls of the house, when the Granth Sahib is brought into it. It is also done on a red cloth with motifs of arched door with design of humans, animals, birds, flowers etc.
4. Chamba: It includes wavy creepers, stylish leaves and flowers and is in vogue recently.
5. Kneeling bag or sari-pallu: This is usually a pallu and head covering area. The pallu and the head have a triangular embroidered part and the rest of the cloth is embroidered on borders only.
6. Bavan Bagh: Baavan means bavan, it is a style in which the embroidery of various geometrical designs is done on the same cloth.
7. Subdue: Saber is a piece of cloth which is worn at the wedding when the bride is taken around the Guru Granth Sahib or the holy fire. One of the five motifs of clothes is in the center and the other on the four corners.
8. Saratarangi: A seven-colored flowerpin.
9. Thirama: The special characteristic of Tharama is its white clay, which is a symbol of purity. Due to its white color, it was often worn by elderly women and widows. The color of the thread is used from red to pink for the embroidery range.
10. Sanchi Phulkari: Village life of Punjab was shown in Sanchi Phulkari and this style was confined to very few areas of Punjab, such as Firozpur and Bathinda districts.
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